SINCE BY MAN CAME DEATH

"Since by Man Came Death" is one of the most striking choral movements from G.F. Handel's Messiah. For a choir, it is a thrilling exercise in contrast. The piece opens with a slow, hushed, and solemn reflection on mortality, before suddenly bursting into a bright, fast-paced declaration of the resurrection. This dramatic shift from sorrow to triumph makes it a powerful moment in any liturgy or concert.

In Nigerian parishes, classical anthems like this are often reserved for major celebrations, particularly during the Easter season when the message of Christ conquering death is at the heart of the Mass. The grave opening phrases demand tight vocal control and deep listening among the parts, while the lively "allegro" sections let the sopranos and tenors soar with joyful energy.

Singing "For as in Adam all die" brings a moment of profound stillness to the congregation, making the explosive joy of "even so in Christ shall all be made alive" feel incredibly earned. It is a piece that captures the very essence of the Christian hope, moving from the shadow of the fall into the brilliant light of salvation.