This edition was prepared by Carlotta Ferrari — free to download, print, rehearse and perform.
Confitemini Domino
Staff Notation • Sacred, Chants
Preview
0
0
Subscribed as
Want Sunday picks sent to another address too?
Free weekly email
Your choir should not be left out in what's trending
Sunday mass selections, psalms, and trending songs in your area — straight to your inbox.
Confitemini Domino by Carlotta Ferrari — Lyrics
Alleluja. Confitemini Domino, quoniam bonus, quoniam in saeculum misericordia ejus.
Dicat nunc Israël: Quoniam bonus, quoniam in saeculum misericordia ejus.
Dicat nunc domus Aaron: Quoniam in saeculum misericordia ejus.
Dicant nunc qui timent Dominum: Quoniam in saeculum misericordia ejus.
De tribulatione invocavi Dominum, et exaudivit me in latitudine Dominus.
Dominus mihi adjutor; non timebo quid faciat mihi homo.
Dominus mihi adjutor, et ego despiciam inimicos meos.
Bonum est confidere in Domino, quam confidere in homine.
Bonum est sperare in Domino, quam sperare in principibus.
Omnes gentes circuierunt me, et in nomine Domini, quia ultus sum in eos.
Circumdantes circumdederunt me, et in nomine Domini,
quia ultus sum in eos.
Circumdederunt me sicut apes, et exarserunt sicut ignis in spinis:
et in nomine Domini, quia ultus sum in eos.
Impulsus eversus sum, ut caderem, et Dominus suscepit me.
Fortitudo mea et laus mea Dominus, et factus est mihi in salutem.
Vox exsultationis et salutis in tabernaculis justorum.
Dextera Domini fecit virtutem;
Read full lyrics
About Confitemini Domino
Carlotta Ferrari's Confitemini Domino is a sacred setting of Psalm 118:1-4, 5-9, 10-13. The text, a jubilant declaration of God's enduring mercy, is sung in Latin. Scored for two voices, SA and TB, the music opens with a sense of spaciousness, gradually building in complexity and intensity as the voices weave together. The antiphonal nature of the text is reflected in the interplay between the upper and lower voice pairs. The piece culminates in a powerful affirmation of trust in the Lord, its harmonic language both ancient and compelling, making it a striking addition to any liturgical or concert programme.
