I SAW A MAIDEN

"I Saw A Maiden" brings a deep sense of quiet wonder to the choir loft. Rooted in a traditional Basque melody and arranged by Edgar Pettman, this piece paints a tender picture of the Blessed Virgin Mary cradling the infant Jesus. The gentle, rocking rhythm of the music mirrors a mother’s lullaby, drawing the congregation into the intimate moment of the Nativity.

When we sing the refrain—"Lullay, lullay, my dear son my sweeting"—the harmony parts weave together to create a hushed, reverent atmosphere. It serves perfectly for Christmas Midnight Mass or the feast of the Holy Family, offering a moment of calm reflection amidst the joyous celebrations of the season. The verses build on this scene, moving from the quiet stable to the angels filling the heavens with music, reminding us that this little child is the King of all kings.

For Nigerian choirs, this solfa notation sheet makes learning the four-part harmony straightforward. The sopranos carry the sweet, flowing melody while the lower voices provide a warm, supportive bed of sound. It is a piece that does not need to be sung loudly to be powerful; its strength lies in its simplicity and the deep peace it leaves with everyone who listens.