I love, alas, I love thee

Thomas Morley captures the unrequited longing of a lover in this exquisite English madrigal. The text speaks of overwhelming affection, a plea for a kiss from the object of desire, Amaryllis, who is declared more beautiful than the mythological Phyllis. Morley’s setting for SATB and SAATB voices expertly reflects the shifting emotions of the lyrics, from passionate declaration to tender entreaty. This secular part-song, typical of the late Renaissance, offers a rich and rewarding experience for choirs looking to explore the expressive potential of unaccompanied vocal music. The intricate vocal lines and harmonic language make it a sophisticated yet accessible choice for performance.