Hoch freuet sich der König, SWV 117 - Choir Script PDF Thumbnail
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Edition by Gerd Eichler
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Added Jul 31, 2026
13 editions of this piece

Different typesettings and voicings of the same work. This page shows the main edition; the others are below.

SATB · Gerd Eichler Preview
SATB · Gerd Eichler Preview
SATB · Gerd Eichler Preview
SATB · Gerd Eichler Preview
SATB · Gerd Eichler Preview
SATB · Gerd Eichler Preview
SATB · Gerd Eichler Preview
SATB · Gerd Eichler Preview
SATB · Gerd Eichler Preview
SATB · Gerd Eichler Preview
SATB · Gerd Eichler Preview
SATB · James Gibb Preview
Composer: Heinrich Schütz
Format: Staff
Language: Latin, German
Pages: 2 pages
This edition was prepared by Gerd Eichler — free to download, print, rehearse and perform.

Hoch freuet sich der König, SWV 117 by Heinrich Schütz — Lyrics

In finem. Psalmus David. Domine, in virtute tua laetabitur rex, et super salutare tuum exsultabit vehementer. Desiderium cordis ejus tribuisti ei, et voluntate labiorum ejus non fraudasti eum. Quoniam praevenisti eum in benedictionibus dulcedinis; posuisti in capite ejus coronam de lapide pretioso. Vitam petiit a te, et tribuisti ei longitudinem dierum, in saeculum, et in saeculum saeculi. Magna est gloria ejus in salutari tuo; gloriam et magnum decorem impones super eum. Quoniam dabis eum in benedictionem in saeculum saeculi; laetificabis eum in gaudio cum vultu tuo. Quoniam rex sperat in Domino, et in misericordia Altissimi non commovebitur.
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About Hoch freuet sich der König, SWV 117

Heinrich Schütz's setting of Hoch freuet sich der König, SWV 117, is a striking example of German sacred music from the Baroque era. The work is for SATB choir and sets a German text which draws on Psalm 21. The psalm expresses profound joy and thanksgiving for a king's victory and God's favour. Schütz masterfully captures the exultant spirit of the text, with jubilant melodies and rich harmonies that underscore the regal splendour and divine blessing being celebrated. This piece would offer a choir an opportunity to explore the dramatic and expressive power of early German oratorio and motet traditions, particularly in its ability to convey profound emotional states through vocal music.