Herr, hader mit den Hadern mein, SWV 132 - Choir Script PDF Thumbnail
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Edition by Gerd Eichler
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Added Jul 31, 2026
5 editions of this piece

Different typesettings and voicings of the same work. This page shows the main edition; the others are below.

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Composer: Heinrich Schütz
Format: Staff
Language: Latin, German
Pages: 2 pages
This edition was prepared by Gerd Eichler — free to download, print, rehearse and perform.

Herr, hader mit den Hadern mein, SWV 132 by Heinrich Schütz — Lyrics

Ipsi David. Judica, Domine, nocentes me; expugna impugnantes me. Apprehende arma et scutum, et exsurge in adjutorium mihi. Effunde frameam, et conclude adversus eos qui persequuntur me; dic animae meae: Salus tua ego sum. Confundantur et revereantur quaerentes animam meam; avertantur retrorsum et confundantur cogitantes mihi mala. Fiant tamquam pulvis ante faciem venti, et angelus Domini coartans eos. Fiat via illorum tenebrae et lubricum, et angelus Domini persequens eos. Quoniam gratis absconderunt mihi interitum laquei sui; supervacue exprobraverunt animam meam. Veniat illi laqueus quem ignorat, et captio quam abscondit apprehendat eum, et in laqueum cadat in ipsum. Anima autem mea exsultabit in Domino, et delectabitur super salutari suo. Omnia ossa mea dicent: Domine, quis similis tibi? eripiens inopem de manu fortiorum ejus; egenum et pauperem a diripientibus eum. Surgentes testes iniqui, quae ignorabam interrogabant me. Retribuebant mihi mala pro bonis, sterilitatem animae meae. Ego autem, cum mihi molesti essent, induebar cilicio; humiliabam in jejunio animam meam, et oratio mea in sinu meo convertetur. Quasi proximum et quasi fratrem nostrum sic conplacebam;
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About Herr, hader mit den Hadern mein, SWV 132

Heinrich Schütz's Herr, hader mit den Hadern mein, SWV 132 is a sacred setting for SATB voices. The text, presented in a combination of Latin and German, draws from Psalm 35, a plea for divine intervention against enemies. The music reflects the dramatic and emotional intensity of the psalm, with the choir powerfully conveying the verses' supplication and imprecation. This piece is a significant example of German sacred music from the Baroque era, showcasing Schütz's mastery in setting biblical texts with profound musical expression. Its blend of textual urgency and vocal richness makes it a compelling choice for performance.