Who composed HALLELUYAH GA ALLAH PART 2?

HALLELUYAH GA ALLAH PART 2 was composed by I. R. Laughter.

What language is HALLELUYAH GA ALLAH PART 2 sung in?

HALLELUYAH GA ALLAH PART 2 is sung in Hausa.

HALLELUYAH GA ALLAH PART 2 by I. R. Laughter — Lyrics & Sheet Music (PDF)

Q: What are the lyrics of HALLELUYAH GA ALLAH PART 2 by I. R. Laughter?

“HALLELUYAH GA ALLAH PART 2” begins: Halleluyah, Halleluyah, Halleluyah ga Allahn mu.… Read the full lyrics on ChoirPDFs.

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Added Jul 31, 2026

Composer: I. R. Laughter

Uploaded By: Choir PDFs

Format: Solfa

Language: Hausa

Pages: 8 pages

HALLELUYAH GA ALLAH PART 2 by I. R. Laughter — Lyrics

Halleluyah, Halleluyah, Halleluyah ga Allahn mu. Halleluyah ga Allah Sarkin mu, shine ya isa yabo. Halleluyah ga Allahn mu, shine ya isa yabo, ya isa yabo. Halleluyah, Halleluyah, Halleluyah ga Allah, Halleluyah ga Allah, Halleluyah ga yah ga Allahn mu, shi ya isa yabo. Ya isa, ya Allah ya isa mu raira yabon sa. Halleluyah, Halleluyah, Halleluyah, Halleluyah Halleluyah. Zai yi mulki, zai yi mulki har abada. Halleluyah, Halleluyah. Zai yi mulki, zai yi mulki, mulki, zai yi mulki har abada. Halleluyah, Halleluyah, Halleluyah Sarkin Sarkin sarakuna, sarkin sarakuna, sarkin sarakuna. Halleluyah, Halleluyah, Halleluyah, Halleluyah. Zai yi mulki har abada. Zai yi mulki har abada. Halleluya, halleluyah, Halleluyah.

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About HALLELUYAH GA ALLAH PART 2

"Halleluyah Ga Allah Part 2" is a majestic Hausa praise anthem composed by I. R. Laughter. Written as the 2025 Compulsory Song for the St. Cecilia National Catholic Hausa Choir competition in Nigeria, it is a grand, through-composed festival piece designed to test a choir's stamina, dynamic control, and rhythmic precision.

The song is an extended exaltation of God as the King of Kings ("Sarkin sarakuna") and Lord of Lords ("Allahn alloli"). It moves through sweeping declarations of God's eternal reign ("Zai yi mulki har abada") and layered, overlapping shouts of "Halleluyah" that build in intensity. The music requires the voices to weave together in complex, joyful rhythms before settling into solemn, grounded "Amin"s.

For a choir preparing this piece, the challenge lies in maintaining energy and clarity across its many sections. It is not a simple congregational hymn, but a formal choral showcase meant to fill a cathedral with the vibrant, resounding spirit of Hausa Catholic worship. When performed with full voices and tight coordination, it becomes a powerful, unforgettable offering of praise.