Fumeux fume par fumee

This three-part chanson by Solage is a prime example of late medieval secular French part-music. The repetitive, imitative texture between the three lower voices (BBB) creates a dense, almost smoky atmosphere, perfectly capturing the essence of its text. The rondeau form, with its characteristic refrain, is used here to explore the theme of obsessive thought, perhaps a lover consumed by his own 'smoky speculation'. The interplay of the voices builds and recedes, mirroring the fluctuating intensity of such a fixation. It’s a delightful piece for a lower male choir, showcasing the intricate polyphony and word-painting typical of the period.