This edition was prepared by James Gibb — free to download, print, rehearse and perform.
Four arms, two necks, one wreathing
Staff Notation • Secular, Madrigals
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3 editions of this piece
Different typesettings and voicings of the same work. This page shows the main edition; the others are below.
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Four arms, two necks, one wreathing by Thomas Weelkes — Lyrics
Four arms, two necks, one wreathing,
Two pair of lips, one breathing.
Fa la la.
Two hearts that multiply
Sighs interchangeably.
Fa la la.
The thought of this confounds me,
And as I speak it wounds me.
Fa la la.
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About Four arms, two necks, one wreathing
Thomas Weelkes's madrigal Four arms, two necks, one wreathing is a delightful Renaissance part-song, perfect for a secular concert programme. The text explores the bewildering and overwhelming nature of intense romantic love, where the physical closeness and shared breath of lovers are described with a sense of wonder and even pain. The composer employs the characteristic "Fa la la" refrain, adding to its light-hearted feel, yet the lyrics also hint at the potential for distress and confusion that deep affection can bring. This work is set for ATB, SSA, and STB, offering flexible vocal combinations for choirs. Its expressive English text and intricate part-writing make it an engaging choice for both singers and listeners.
