Exaudi Deus orationem meam - Choir Script PDF Thumbnail
Preview
0 0
Edition by Pothárn Imre
0 downloads
Added Jul 31, 2026
2 editions of this piece

Different typesettings and voicings of the same work. This page shows the main edition; the others are below.

SATTB · Pothárn Imre Preview
Composer: Ivo de Vento
Format: Staff
Language: Latin
Pages: 6 pages
This edition was prepared by Pothárn Imre — free to download, print, rehearse and perform.

Exaudi Deus orationem meam by Ivo de Vento — Lyrics

In finem, in carminibus. Intellectus David. Exaudi, Deus, orationem meam, et ne despexeris deprecationem meam: intende mihi, et exaudi me. Contristatus sum in exercitatione mea, et conturbatus sum a voce inimici, et a tribulatione peccatoris. Quoniam declinaverunt in me iniquitates, et in ira molesti erant mihi. Cor meum conturbatum est in me, et formido mortis cecidit super me. Timor et tremor venerunt super me, et contexerunt me tenebrae. Et dixi: Quis dabit mihi pennas sicut columbae, et volabo, et requiescam? Ecce elongavi fugiens, et mansi in solitudine. Exspectabam eum qui salvum me fecit a pusillanimitate spiritus, et tempestate. Praecipita, Domine; divide linguas eorum: quoniam vidi iniquitatem et contradictionem in civitate. Die ac nocte circumdabit eam super muros ejus iniquitas; et labor in medio ejus, et injustitia: et non defecit de plateis ejus usura et dolus. Quoniam si inimicus meus maledixisset mihi, sustinuissem utique. Et si is qui oderat me super me magna locutus fuisset, abscondissem me forsitan ab eo. Tu vero homo unanimis, dux meus, et notus meus:
Read full lyrics

About Exaudi Deus orationem meam

Ivo de Vento, a significant composer of the late Renaissance, offers this striking sacred motet for SATTB voices. Written in Latin, the text is a fervent prayer, taken from Psalm 54. It expresses deep distress, a cry for divine intervention against enemies and inner turmoil. The composer vividly portrays the psalmist's anguish, his fear of death, and his longing for peace and escape. The polyphonic setting, characteristic of the era's sacred music, would have been used in liturgical settings, allowing the rich textures of the five voice parts to convey the profound emotional weight of the prayer. This motet is a powerful example of Renaissance devotional music, where complex vocal writing serves to amplify the spiritual message.