This edition was prepared by Allen Garvin — free to download, print, rehearse and perform.
Domine secundum multitudinem
Staff Notation • Sacred, Motets
Preview
0
0
2 editions of this piece
Different typesettings and voicings of the same work. This page shows the main edition; the others are below.
SATTB · David Fraser
Preview
Subscribed as
Want Sunday picks sent to another address too?
Free weekly email
Your choir should not be left out in what's trending
Sunday mass selections, psalms, and trending songs in your area — straight to your inbox.
Domine secundum multitudinem by William Byrd — Lyrics
Psalmus ipsi David, quarta sabbati. Deus ultionum Dominus; Deus ultionum libere egit.
Exaltare, qui judicas terram; redde retributionem superbis.
Usquequo peccatores, Domine, usquequo peccatores gloriabuntur;
effabuntur et loquentur iniquitatem; loquentur omnes qui operantur injustitiam?
Populum tuum, Domine, humiliaverunt, et haereditatem tuam vexaverunt.
Viduam et advenam interfecerunt, et pupillos occiderunt.
Et dixerunt: Non videbit Dominus, nec intelliget Deus Jacob.
Intelligite, insipientes in populo; et stulti, aliquando sapite.
Qui plantavit aurem non audiet? aut qui finxit oculum non considerat?
Qui corripit gentes non arguet, qui docet hominem scientiam?
Dominus scit cogitationes hominum, quoniam vanae sunt.
Beatus homo quem tu erudieris, Domine, et de lege tua docueris eum:
ut mitiges ei a diebus malis, donec fodiatur peccatori fovea.
Read full lyrics
About Domine secundum multitudinem
William Byrd's Domine secundum multitudinem is a powerful setting of a Latin text from the Psalms. Written for SATTB choir, this sacred motet offers a dramatic exploration of divine justice and retribution. The music reflects the text's intensity, as it calls for God's judgment upon the proud and addresses the wicked who believe their deeds go unseen. Byrd's mastery of choral writing is evident in the rich textures and dynamic contrasts that underscore the psalm's plea for righteousness and vindication. This motet is a profound example of Renaissance sacred polyphony, showcasing Byrd's skill in conveying theological and emotional depth through vocal music.
