Domine quid multiplicati sunt

Philippe de Monte’s motet Domine quid multiplicati sunt unfolds with a rich SATTB texture, creating a polyphonic dialogue between the vocal lines. The composer responds musically to the dramatic and pleading text from the Psalms. The opening lines express bewilderment and distress at the multitude of enemies, a sentiment that continues as the text describes foes opening their mouths like a ravening and roaring lion. The music captures the sense of isolation and betrayal as friends and neighbours stand aloof, and others seek the singer's life. This is a powerful setting for a choir looking for a substantial sacred motet from the Renaissance.