Domine quando veneris a 4 (other setting is for {{NoCo|Domine quando veneris a 5|5vv., 1568

This solemn motet opens with a plaintive melodic line in the SATT choir, soon joined by the other voices in a rich polyphonic texture. Orlando di Lasso sets a profound Latin text, a plea for mercy on the Day of Judgment. The composer’s mastery of counterpoint and expressive harmony vividly portrays the fear and repentance expressed in the words. The music builds in intensity as the text moves from personal supplication to a prayer for the departed, culminating in a yearning for eternal rest. This setting is a powerful example of sacred Renaissance motet writing, full of pathos and carefully crafted vocal interplay.