What are the lyrics of Die Sieben Worte Jesu Christi am Kreuz by Heinrich Schütz?

“Die Sieben Worte Jesu Christi am Kreuz” begins: 1. Introitus (Chorus)… Read the full lyrics on ChoirPDFs.

Who composed Die Sieben Worte Jesu Christi am Kreuz?

Die Sieben Worte Jesu Christi am Kreuz was composed by Heinrich Schütz.

What language is Die Sieben Worte Jesu Christi am Kreuz sung in?

Die Sieben Worte Jesu Christi am Kreuz is sung in German.

Die Sieben Worte Jesu Christi am Kreuz by Heinrich Schütz — Lyrics & Sheet Music (PDF)

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SATTB

Edition by Gerd Eichler

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Added Jul 29, 2026

14 editions of this piece

Different typesettings and voicings of the same work. This page shows the main edition; the others are below.

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Composer: Heinrich Schütz

Format: Staff

Language: German

Pages: 20 pages

This edition was prepared by Gerd Eichler — free to download, print, rehearse and perform.

Die Sieben Worte Jesu Christi am Kreuz by Heinrich Schütz — Lyrics

1. Introitus (Chorus) Da Jesus an dem Kreuze stund und ihm sein Leichnam war verwund’t sogar mit bittern Schmerzen, die sieben Wort, die Jesus sprach, betracht in deinem Herzen. 2. Symphonia (Instr.) 3. Evangelist (Altus): Und es war um die dritte Stunde, da sie Jesum kreuzigten. Er aber sprach : Jesus: Vater, vergieb ihnen ; denn sie wissen nicht, was sie tun ! Evangelist (Tenor): Es stand aber bei dem Kreuze Jesu seine Mutter und seiner Mutter Schwester, Maria, Cleophas Weib, und Maria Magdalena. Da nun Jesus seine Mutter sahe und den Jünger dabei stehen,

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About Die Sieben Worte Jesu Christi am Kreuz

Heinrich Schütz's Die Sieben Worte Jesu Christi am Kreuz is a profound sacred motet for SATTB choir, setting the final words of Jesus. Composed in German, this work offers a reflective musical meditation on Christ's suffering and sacrifice. The motet's structure, drawing from biblical accounts, allows for a dramatic and moving portrayal of the events surrounding the crucifixion. Choir directors will find this piece a powerful addition to Lenten or Holy Week services, providing a contemplative experience for both performers and listeners. The intricate vocal writing for the five parts demands expressive attention to the sacred text, inviting deep engagement with the profound message of these final utterances.