Cum ergo audimus

Carlotta Ferrari's sacred setting of a Latin text explores the profound theological concept of God's presence in all things. The opening lines, 'Cum ergo audimus, Deum omnia facere, nil aliud debemus intelligere, quam Deum in omnibus esse,' translate to 'When we hear that God does all things, we must understand nothing else than that God is in all things.' This piece offers a meditative reflection on divine immanence, suited for a choir seeking to explore contemplative sacred music. The work is arranged for descant, suggesting a clear and often elevated melodic line that can soar above other vocal parts or stand alone.